Q. To change gears one second, they're doing some different things with the bunkering out here. We always talk about how the Europeans, they play in all different conditions, do these bunkers differ for you, do they make a big difference, have you seen bunkers like this or worse?
DAVID HOWELL: No, I haven't seen the bunkers. We were talking about it last night with a gentleman that does the course design. It's going to be interesting to see how it works out. There's really different points of views. Ernie is one of the best bunker players in the world and feels his talent for getting in the bunkers is being questioned. If you don't have a great lie you can't play a great shot. So all of a sudden it's possibly favoring the guys that you've really seen them as hazards, and you have to stay away from them, and you have to alter your game plan. And it's going to be an advance to the guys that hit a lot of greens. If you get in bunkers, you're not going to get up and down all the time. It's going to take it back more to accuracy off the tee. If you want to see golf like that they're doing the right thing. And if you want to see them Tiger's form of golf or whoever, just goes out there or as Seve used to play, and see guys getting up and down to save par, you're not going to get so much of that. It's going to make people play slightly differently, I think. And I guess only after doing it a few different times or different tournaments will we see if it's the right way to go or the wrong way. It's certainly the easiest way to make the golf course harder is to change the rakes. It's the cheapest way.
Q. Have you been warned, if that's the right word, about the severity of the bunkers at Winged Foot, and how steep the faces are, has that been discussed amongst your peers?
DAVID HOWELL: I really haven't got a clue where Winged Foot is or what sort of course it is, I'll have to admit, so, no.
The medium of the artist is paint, and he becomes its master; but the medium of the golf architect is the surface of the earth over which the forces of Nature alone are master. Therefore, in the prosecution of his designs, if the architect correctly uses the forces of nature to express them and thus succeeds in hiding his hand, then, only, has he created that illusion which can still all criticism. MAX BEHR